Chapter 23: (2) - The Mysterious Art Museum
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Chapter 23 (2) - The Mysterious Art Museum
Many know that he painted the theater poster for Sarah Bernhardt. They also know that hecreated many promotional posters for advertisements.
I especially liked his promotional poster for a printing company.
He depicted the god Faunus for the printing company's promotion, a deity who in ancient times governed forests, procreation, livestock, and agriculture.
Why would he depict such a deity for a printing company's promotion?
The paper used by the printing company came from pulp. Pulp comes from forests.
All printed materials continually multiply, thus relating to procreation.
It's an incredible thought.
Moreover, he drew several eyes surrounding the poster, representing the eyes of readers absorbing and accommodating the information disseminated by the printing company.
I looked at the last appearance of the painter I loved and asked,
May I ask you one question, teacher?
Cough, cough. Yes, go ahead.
I hesitated for a moment before speaking.
Teacher, you spent the last 20 years depicting the history and identity of the Slavic people through your paintings. Having been one of the top commercial artists in France during your youth, why did you switch to a completely different style of painting in your later years?
I had always been curious about this.
Was it because he feared being remembered only as a commercial artist?
Or did he want to leave a legacy as a pure artist? These were just speculations.
Mucha stopped praying and fumbled near where my hand was. Sensing his desire to hold it, I firmly grasped his left hand with both of mine.
Relying on the warmth I provided, Mucha began to speak.
Many have asked me that question. They ask if I was scared as I got older. If I painted those pictures using the pride of the Slavic people as a weapon because I wanted to leave a legacy.
People in modern times think this way, so those of his era probably thought even more so. Mucha slightly gripped my hand and said,
What is art?
............................
I watched Mucha, now fallen into sleep, quietly.
Of course, your life was of great help to mankind.
It wasn't just about unifying his country by making known the identity of the Slavic people.
I am Korean. Every Korean has been helped by this man, but many do not know it.
Alphonse Mucha was commissioned by the Austrian royal family, which was ruling Czech at the time, for a national promotional poster for the 1900 Paris World's Fair, from April to November.
Being one of the oppressed people, it must have been unbearably hard for him.
Four years later, he left all his success behind and went to America to find a sponsor for his Slavic epic.
That's when he met Charles Richard Crane.
He was a very wealthy businessman and a friend of Woodrow Wilson, the 28th President of the United States, and thus held high social status.
Mucha approached him and conveyed the spirit of the oppressed Slavic people, and Charles Richard Crane, moved by this, decided to sponsor him.
What does this have to do with Koreans?
Having learned what life was like for an oppressed nation, Charles visited our country during the Japanese occupation era.
There, he met and spoke with Ye Un-hyung, a Korean independence activist, and received the Korean Declaration of Independence, which he then delivered to President Wilson.
In a way, he contributed to the independence movement.
Additionally, Charles Richard Crane was pivotal in bringing global attention to Korea's sovereignty.
And it was Alphonse Mucha who elevated his national consciousness.
Standing beside Alphonse Mucha, now deeply asleep, never to awaken again, I bowed deeply.
"Thank you."
His last words keep echoing in my ears.
"Did my life truly help mankind?"
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.
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Chapter 23 (2) - The Mysterious Art Museum
Many know that he painted the theater poster for Sarah Bernhardt. They also know that hecreated many promotional posters for advertisements.
I especially liked his promotional poster for a printing company.
He depicted the god Faunus for the printing company's promotion, a deity who in ancient times governed forests, procreation, livestock, and agriculture.
Why would he depict such a deity for a printing company's promotion?
The paper used by the printing company came from pulp. Pulp comes from forests.
All printed materials continually multiply, thus relating to procreation.
It's an incredible thought.
Moreover, he drew several eyes surrounding the poster, representing the eyes of readers absorbing and accommodating the information disseminated by the printing company.
I looked at the last appearance of the painter I loved and asked,
May I ask you one question, teacher?
Cough, cough. Yes, go ahead.
I hesitated for a moment before speaking.
Teacher, you spent the last 20 years depicting the history and identity of the Slavic people through your paintings. Having been one of the top commercial artists in France during your youth, why did you switch to a completely different style of painting in your later years?
I had always been curious about this.
Was it because he feared being remembered only as a commercial artist?
Or did he want to leave a legacy as a pure artist? These were just speculations.
Mucha stopped praying and fumbled near where my hand was. Sensing his desire to hold it, I firmly grasped his left hand with both of mine.
Relying on the warmth I provided, Mucha began to speak.
Many have asked me that question. They ask if I was scared as I got older. If I painted those pictures using the pride of the Slavic people as a weapon because I wanted to leave a legacy.
People in modern times think this way, so those of his era probably thought even more so. Mucha slightly gripped my hand and said,
What is art?
............................
I watched Mucha, now fallen into sleep, quietly.
Of course, your life was of great help to mankind.
It wasn't just about unifying his country by making known the identity of the Slavic people.
I am Korean. Every Korean has been helped by this man, but many do not know it.
Alphonse Mucha was commissioned by the Austrian royal family, which was ruling Czech at the time, for a national promotional poster for the 1900 Paris World's Fair, from April to November.
Being one of the oppressed people, it must have been unbearably hard for him.
Four years later, he left all his success behind and went to America to find a sponsor for his Slavic epic.
That's when he met Charles Richard Crane.
He was a very wealthy businessman and a friend of Woodrow Wilson, the 28th President of the United States, and thus held high social status.
Mucha approached him and conveyed the spirit of the oppressed Slavic people, and Charles Richard Crane, moved by this, decided to sponsor him.
What does this have to do with Koreans?
Having learned what life was like for an oppressed nation, Charles visited our country during the Japanese occupation era.
There, he met and spoke with Ye Un-hyung, a Korean independence activist, and received the Korean Declaration of Independence, which he then delivered to President Wilson.
In a way, he contributed to the independence movement.
Additionally, Charles Richard Crane was pivotal in bringing global attention to Korea's sovereignty.
And it was Alphonse Mucha who elevated his national consciousness.
Standing beside Alphonse Mucha, now deeply asleep, never to awaken again, I bowed deeply.
"Thank you."
His last words keep echoing in my ears.
"Did my life truly help mankind?"
Read ahead by supporting me on Ko-fi
.
Chapter 23 2 - The Mysterious Art MuseumMany know that he painted the theater poster for Sarah Bernhardt. They also know that hecreated many promotional posters for advertisements.I especially liked his promotional poster for a printing company.He depicted the god Faunus for the printing company's promotion, a deity who in ancient times governed forests, procreation, livestock, and agriculture.Why would he depict such a deity for a printing company's promotion?The paper used by the printing company came from pulp. Pulp comes from forests.All printed materials continually multiply, thus relating to procreation.It's an incredible thought.Moreover, he drew several eyes surrounding the poster, representing the eyes of readers absorbing and accommodating the information disseminated by the printing company.I looked at the last appearance of the painter I loved and asked,May I ask you one question, teacher?Cough, cough. Yes, go ahead.I hesitated for a moment before speaking.Teacher, you spent the last 20 years depicting the history and identity of the Slavic people through your paintings. Having been one of the top commercial artists in France during your youth, why did you switch to a completely different style of painting in your later years?I had always been curious about this.Was it because he feared being remembered only as a commercial artist?Or did he want to leave a legacy as a pure artist? These were just speculations.Mucha stopped praying and fumbled near where my hand was. Sensing his desire to hold it, I firmly grasped his left hand with both of mine.Relying on the warmth I provided, Mucha began to speak.Many have asked me that question. They ask if I was scared as I got older. If I painted those pictures using the pride of the Slavic people as a weapon because I wanted to leave a legacy.People in modern times think this way, so those of his era probably thought even more so. Mucha slightly gripped my hand and said,What is art?............................I watched Mucha, now fallen into sleep, quietly.Of course, your life was of great help to mankind.It wasn't just about unifying his country by making known the identity of the Slavic people.I am Korean. Every Korean has been helped by this man, but many do not know it.Alphonse Mucha was commissioned by the Austrian royal family, which was ruling Czech at the time, for a national promotional poster for the 1900 Paris World's Fair, from April to November.Being one of the oppressed people, it must have been unbearably hard for him.Four years later, he left all his success behind and went to America to find a sponsor for his Slavic epic.That's when he met Charles Richard Crane.He was a very wealthy businessman and a friend of Woodrow Wilson, the 28th President of the United States, and thus held high social status.Mucha approached him and conveyed the spirit of the oppressed Slavic people, and Charles Richard Crane, moved by this, decided to sponsor him.What does this have to do with Koreans?Having learned what life was like for an oppressed nation, Charles visited our country during the Japanese occupation era.There, he met and spoke with Ye Un-hyung, a Korean independence activist, and received the Korean Declaration of Independence, which he then delivered to President Wilson.In a way, he contributed to the independence movement.Additionally, Charles Richard Crane was pivotal in bringing global attention to Korea's sovereignty.And it was Alphonse Mucha who elevated his national consciousness.Standing beside Alphonse Mucha, now deeply asleep, never to awaken again, I bowed deeply."Thank you."His last words keep echoing in my ears."Did my life truly help mankind?"Read ahead by supporting me on Ko-fi.
